The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

15 February 2019, 19.00-21.00

Solti Hall

Doctoral Concerts 5

Beethoven: Sonata for Violin and Piano No. 10 in G major, Op. 96
Miranda Liu (violin), László Borbély (piano)
Mozart: Vorrei spiegarvi, oh Dio! - concert aria, K. 418
Rimsky- Korsakov: Marfa's Aria from the The Tsar's Bride
Nóra Tatai (vocals), Ferenc János Szabó (piano)
Saint-Saёns: Fantaisie for Violin and Harp, Op. 124
Eszter Osztrosits (violin), Barbara Kriesch (harp)
intermission
J.S.Bach: Das Wohltemperierte Klavier, book 1 – Preludium and Fugue in C-sharp major, BWV 848
J.S. Bach: Das wohltemperierte Klavier, book 2 – Preludium and Fugue in G major, BWV 884
Dorottya Simon (piano)
Brahms: Vier ernste Gesänge, Op. 121
Dávid Dani (vocals), Gergő Zoltán Varga (piano)
Balázs Kecskés D. : Relief (for the poem of János Arany)
Nóra Tatai (vocals), Ferenc János Szabó (piano)
Végh: Sinket jetzt der Abend, Heimkehr, Bergrosen, Im Entschlafen, Ich träumte dass ich gestorben bin
Zsófia Staszny (vocals), Ferenc János Szabó (piano)

Presented by

Liszt Academy Doctoral School

Tickets:

Admission to the concert is free. Tickets can be claimed at the Ticket Office of the Liszt Academy one month before the concert.