The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Chamber Music Master Class by Imre Rohmann

27 February 2019, 10.00-17.00

Room X

Chamber Music Master Class by Imre Rohmann

10.00–11.00: Anette Agárdi (violin), Ye Lin Kim (piano)
Mozart: Sonata for Violin and Piano No. 26 in B-flat major, K. 378
Beethoven: Sonata for Violin and Piano No. 5 in F major, Op. 24 (‘Spring’)

11.00–12.00: Karolina Kondorosi (violin), Matsunaga Minami (piano)
Franck: Sonata for Violin and Piano in A major

12.00–13.00: Fanni Pálma Koros-Fekete (violin), Péter Bálint (piano)
Brahms: Sonata for Violin and Piano No. 2 in A major, Op. 100 – 2. Andante tranquillo – Vivace, 3. Allegretto grazioso, quasi Andante

intermission

15.00–16.00: Ke Li (hegedű), Mátyás Hotzi (cello), András Moldoványi (piano)
Haydn: Piano Trio No. 39 in G major, Hob. XV:25

16.00–17.00: Eszter Kökény (violin), Marcell Molnár (piano)
Beethoven: Sonata for Violin and Piano No. 4 in A minor, Op. 23

Presented by

Liszt Ferenc Academy of Music, Conducting Department

Tickets:

Admission is free but subjected to the capacity of the rooms. Applying in advance is not necessary. For passive participants the Academy does not provide a certificate.