The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Students of András Szalai

10 May 2019, 18.00-21.00

Room X

Liszt Academy Home Concerts

Students of András Szalai Presented by Liszt Academy

Chamber Music Concerts 2018/19 Spring

J. S. Bach–György Kurtág: Seven Bach Chorales (transcriptions for piano four hands) – 3. Aus tiefer Not schrei' ich zu dir, 5. Alle Menschen müssen sterben
J. S. Bach–György Kurtág: Gottes Zeit ist die allerbeste Zeit: Sonatina
Gade: Karakterstykker, Op. 18
Kawamoto Arashi, Nakagawa Makoto (piano)
Schubert: Introduction and variations on Trockne Blumen, D. 802
Eszter Menyhárt (flute), Katalin Gál (piano)
Rachmaninov: Piano Trio No. 1 in G minor, Op. 9 (‘Trio Élégiaque’)
Sára Szabó (violin), Rebeka Bettermann (cello), Bettina Hirling (piano)
Britten: Phantasy Quartet, Op. 2
Evelin Gaján (oboe), Patrik Varga (violin), Kinga Dauner (viola), Sára Lakatos (cello)

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free, subjected to the capacity of the room.