The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Choir Conducting Exam

17 May 2019, 18.00-20.00

Old Academy of Music, Chamber Hall

Choir Conducting Exam Presented by Liszt Academy

Jones: Farewell, dear love
Bruckner: Christus factus est
Bárdos: Csillagvirág
Conductor: Rea Tóth
Monteverdi: A un giro sol de’ bell’ occhi lucenti
Poulenc: Timor et tremor
György Orbán: A Paprikajancsi szerenádja
Conductor: Klaudia Bereczki
Kechakmadze: Kutaisi Serenade
Stockhausen: Agnus Dei
Conductor: Virág Farkas
Monteverdi: ‘Rimanti in pace’ a la dolente e bella – 2. Ond’ei di morte la sua faccia impressa
Mendelssohn: Three Motets, Op. 39 – 1. Veni Domine
Featuring on organ: Reincke Bogdan
Eben: De Angelis
Featuring: Pro Musica Girls' Choir
Conductor: István Márkus
Bennet: Weep, o mine eyes
Byrd: Sing joyfully
György Orbán: Nunc dimittis
Z. Randall Stroope: The Conversion of Saul
Conductor: Tamás Barnabás Bánó 

Featuring: Mixed choir of the Orchestral and Choir Conducting Programmes


Admission is free, subjected to the capacity of the room.