The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

11 January 2020, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Morning Concert

Yvette Mondok, Alisa Katroshi, Lajos Kendi & Szabolcs Sándor Presented by Liszt Academy

Grever: Te quiero dijiste
Liszt: Three Petrarch Sonnets – 2. Pace non trovo
Liszt: Oh! quand je dors
Mozart:„Non più andrai” – Figaro's Aria from the Act 1 of The Marriage of Figaro
Mozart: “Soave sia il vento” – trio from the Act 1 of Così fan tutte
Puccini: “Un bel dì vedremo” – Cio-cio-san's Aria from the Act 2 of Madama Butterfly
Puccini: “Chi il bel sogno di Doretta” – Magda's Aria from the Act 1 of La rondine (The Swallow)
Wagner: “Dich, teure Halle, grüss’ ich wieder” – Elisabeth's Aria from the Act 2 of Tannhäuser
Wagner: “Wie Todesahnung... O du, mein holder Abendstern” – Wolfram's Song from the Act 3 of Tannhäuser
Massenet: “Obéissons quand leur voix appelle” – Manon's Aria from the Act 3 of Manon
Massenet: “Épouse quelque brave fille” – des Grieux's Aria from the Act 3 of Manon
Massenet: “Pleurez! pleurez, mes yeux” – Chimène's Aria from the Act 3 of Le Cid
Verdi: “Ella giammai m’amò” – King Philippe II 's Aria from the Act 4 of Don Carlos
Verdi: “Pace, pace mio Dio” – Leonora's Aria from the Act 4 of La forza del destino (The Power of Fate)
Verdi: “Sempre libera” – Violetta's Aria from the Act 1 of La traviata

Yvette Mondok, Alisa Katroshi, Lajos Kendi (vocals), Szabolcs Sándor (piano)

Tickets:

HUF 2 000