Liszt is to piano playing what Euclid is to geometry.

Alan Walker
Zsombor Tóth-Vajna

5 November 2021, 19.00-21.00

Old Academy of Music, Chamber Hall

Chamber Music Recitals at the Old Academy of Music

Zsombor Tóth-Vajna Presented by Liszt Academy

Orpheo's journey

Girolamo Frescobaldi: Aria detta la Frescobalda
Girolamo Frescobaldi: Toccata Quarta per l'Organo da sonarsi alla levatione
Girolamo Frescobaldi: Canzona Quarta
Girolamo Frescobaldi: Capriccio di durezze
Girolamo Frescobaldi: Passacagli e Ciaccona
Johann Jakob Froberger: Toccata in C, FbWV 109
Dieterich Buxtehude: Auf meinem lieben Gott - choral partita, BuxWV 179
Dieterich Buxtehude: Canzona in G, BuxWV 170
Dieterich Buxtehude: Két korálelőjáték - Nun lob mein Seel den Herren  BuxWV 213 és Jesus Christus unser Heiland BuxWV 198
Dieterich Buxtehude: Toccata in G, BuxWV 164

Zsombor Tóth-Vajna (harpsichord)

Although Monteverdi never wrote for keyboard instrument, his influence can be traced in virtually every music genre, since his oeuvre became inescapable for future generations not only through the creation of the genre of opera, but also because of the new musical language he developed. Works played at this concert allow us to discover how this Monteverdian musical grammar impacted on the music of later composers, the works of Italian, French and German masters. In the course of this musical journey, by following in the footsteps of Orpheus we reach the destination of music as defined by Monteverdi: to touch the soul of the listener, to develop the senses and to speak directly to the heart. Zsombor Tóth-Vajna renders compositions by Frescobaldi, Buxtehude, Tunder, François Couperin and Johann Sebastian Bach on a copy of a 1521 Hieronymus Bononiensis harpsichord.

 

 

Presented by

Liszt Academy Concert Centre

Tickets:

HUF 2 000