Liszt is to piano playing what Euclid is to geometry.

Alan Walker
Sam Haywood

26 November 2021, 19.00-21.00

Solti Hall

Black and White Colours

Sam Haywood Presented by Liszt Academy

Musical Liaisons

Kaprálová: April Prelude
Chopin: Twenty-Four Preludes, Op. 28 – Prelude No. 24 in D minor
L. Boulanger: D’un vieux jardin
Chopin: Piano Sonata No. 2 in B-flat minor, Op. 35

INTERMISSION

Carreño: Esquisse italienne No. 1, Op. 33 ('Venise')
Chopin: Ballade No. 4 in F minor, Op. 52
Tailleferre: Impromptu
Chopin: Impromptu in C-sharp minor, Op. 66 (‘Fantaisie-impromptu’)
Bonis: Etude de concert, Op. 136
Chopin: Etude in B minor, Op. 25/10
Jelena Poulíčková: Oriental Suite – 2nd Movement
Chopin: Polonaise in A-flat major, Op. 53 (‘Heroic’)

Sam Haywood (piano)

The list of female creative artists is shorter than that of men not because of some genetic lack of talent but simply because writing, painting and composing demands time, money and, as Virginia Woolf showed, one’s own, lockable room; for centuries, women had none of these at their disposal. Happily, however, from the 19th century onwards this state of affairs began gradually to change, as proven by the careers and oeuvres of, for example, the Venezuelan-born Teresa Carreño, Marie-Juliette Olga (Lili) Boulanger who died in 1918 at the age of 24, one-time fellow student of Debussy Mélanie Bonis, , and Vítězslava Kaprálová, born in Brno in 1915. British pianist Sam Haywood has compiled his programme from their works, counterpointing the hitherto little-known compositions with Chopin classics.

 

 

The concert is followed by CODA – which is an informal conversation with the performers.

Presented by

Liszt Academy Concert Centre

Tickets:

2 900, 3 900 Ft

Concert series:

Black and White Colours - special edition