The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Slovenian-Hungarian Recital

8 February 2019, 18.00-21.00

Room X

Slovenian-Hungarian Recital

Wolf: Italienisches Liederbuch – Auch kleine Dinge
Wolf: Mörike-Lieder – Das verlassene Mägdlein
Wolf: Mörike-Lieder – Er ist's
Anej Černe: Touched by an Angel (to the poem by Maya Angelou)
Ernestina Jošt (soprano), Jan Pušnik (piano)
Wolf: Mörike-Lieder – Fussreise
Dankó Richárd: Fussreise
Wolf: Mörike-Lieder – Nimmerstatte Liebe
Varga Abigél: Nimmerstatte Liebe
Wolf: Mörike-Lieder – Schlafendes Kind
Lőrinc Kósa (baritone), Richárd Dankó (piano)
Wolf: Goethe-Lieder – Die Bekehrte
Wolf: Mörike-Lieder – Nimmerstatte Liebe
Davor Lončar Petrovič: Absolutna vrednost/The Absolute Value (to the poem by Neva Lučka Zver)
Davor Lončar Petrovič: Ta večer/This Evening (to the poem by Svetlana Makarovič)
Neža Vasle (soprano), Mija Novak (piano)

Professors of the students: Dušan Bavdek, Theresa Plut, Hinko Haas, Gyula Fekete, Varga Judit, Tornyai Péter, Katalin Halmai, Matjaž Robavs

Presented by

Liszt Ferenc Academy of Music, Composition Department

Tickets:

Admission is free, subjected to the capacity of the room.