The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
The Budapest Strings Chamber Orchestra

12 February 2019, 19.30-22.00

Grand Hall

The Budapest Strings Chamber Orchestra Presented by Liszt Academy

Shostakovich–Barshai: Chamber Symphony in C minor, Op. 110a
J. S. Bach: Piano Concerto in F minor, BWV 1056
J. S. Bach: Orchestral Suite No. 1 in C major, BWV 1066
Shostakovich: Piano Concerto No. 1 in C minor, Op. 35

Zoltán Fejérvári (piano), Gábor Devecsai (trumpet)
The Budapest Strings Chamber Orchestra (concertmaster: János Pilz, artistic director: Károly Botvay)

This concert by Zoltán Fejérvári and Budapest Strings features pieces by two composers, Bach and Shostakovich, which allow artists to give full expression to tone, character and emotion. The audience can revel in light-heartedly joyful and lyrical moments, as well as musical expositions of grotesque or indeed tragically disenchanting situations. Zoltán Fejérvári performs two concertos, while the orchestra have the opportunity to reveal their dedication to chamber music in a work that the author, Shostakovich, originally intended for a string quartet.




Presented by

Budapest Strings Chamber Orchestra


HUF 2 800, 3 800, 4 800, 5 800