EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
György Pauk Chamber Music Master Class

17 April 2019, 11.00-16.00

Room X

György Pauk Chamber Music Master Class Presented by Liszt Academy

11.00-12.00: Molli Szalai (violin), Eszter Gaál (piano)
Beethoven: Sonata for Violin and Piano No. 7 in C minor, Op. 30/2

12.00-13.00: Márta Durst-Gál (violin), Gábor Németh (violin), Eszter Kalocsai (viola), Eszter Agárdi (cello)
Schubert: String Quartet No. 14 in D minor, D810 ('Death and the Maiden') - 1st, 2nd Movements

intermission

14.00-15.00: Rácz Norbert (violin), Hadobás Gergely (cello), Mahaera Ayumu (piano)
Mendelssohn: Piano Trio No. 2 in C minor, Op. 6 – 3. Scherzo, 4. Finale

15.00-16.00: Schaff Magdolna (violin), Váradi László (piano)
Beethoven: Sonata for Violin and Piano No. 5 in F major, Op. 24 (‘Spring’)

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

Tickets:

Admission is free and subjected to the capacity of the room. No preliminary application is necessary. The Liszt Academy does not issue attendance certificates about passive participation.

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