The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

22 February 2020, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Morning Concert

Zsuzsanna Császár Presented by Liszt Academy

Liszt: Hungarian Rhapsody No. 8
Miklós Csemiczky: Sonatina con intermezzi
Bartók: Sonatina, BB 69
Liszt: Années de pèlerinage, Deuxième année: Italie – 7. Après une lecture du Dante: Fantasia quasi Sonata
Dohnányi: Four Piano Pieces, Op. 2 – 3. Intermezzo in F minor
Dohnányi: Rhapsody in C major, Op. 11/3

Zsuzsanna Császár (piano)


HUF 2 000 (for students and pensioners: HUF 1 000)