The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Beethoven Days with Concerto Budapest/1

28 November 2020, 11.00-13.00

Grand Hall

Beethoven Days with Concerto Budapest/1

In Honour of Annie Fischer

Streamed only

Beethoven: Sonata No. 9 for Violin and Piano in A major, Op. 47 ('Kreutzer')
Beethoven: Piano Trio No. 5 in D major, Op. 70/1 ('Ghost')
Beethoven: Sonata No. 3 for Cello and Piano in A major, Op. 69
Beethoven: String Quartet No. 15 in A minor, Op. 132

János Balázs, Dénes Várjon (piano), András Keller (violin), Miklós Perényi (cello)
Hungarian Quartet: András Keller, János Pilz (violin), Gábor Homoki (viola), László Fenyő (cello)

Presented by

Concerto Budapest


HUF 2 200, 3 100, 3 900, 4 800, 5 900, 7 500