The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Kazakhstan National Choir

29 June 2024, 19.00-21.30

Solti Hall

Kazakhstan National Choir

Zhubanova: Má vlast (My homeland)
Zhubanova: Alone
Seyfullin: In the Mountains
Bayterekov: Kui
Brusilovsky: Sholpan
QXAE: Aktau – Kerim
QXAE: Zhaidarman
Morley: April is in my mistress’ face
Lassus: Echo
Kodály: See the Gypsies Munching Cheese
Rachmanyinov: All-night Vigil, Op. 37 » 6. Bogoroditse Devo
Rachmaninov: Liturgy of St John Chrysostom, Op. 31 » 12. Tebe poem (We Sing to Thee)
Sviridov: Puskin-koszorú » Natasha. The Ladybug – White Butterfly
QXAE: Sagynam
Seri: Manmanger
Abay: I Said Hello to Kalamaqas
Abay: In the Dark Night, the Mountain Stands
Zhubanov: White Snowball

Presented by

ART AMBASSADEURS

Tickets:

Admission to the concert is free. Tickets can be claimed at the website and at the Ticket Office of the Liszt Academy one month before the concert.

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