The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

Barnabás Kelemen Chamber Music Master Class

28 March 2019, 10.00-12.50

Old Academy of Music, Chamber Hall

Barnabás Kelemen Chamber Music Master Class Presented by Liszt Academy

Admission is free, subjected to the capacity of the room.

Schedule of the master class:

10.00-10.50: Szentimrei Noémi, Doffkay Eszter (violin), Papp Nóra (viola), Horváth Benjámin (cello)
Beethoven: String Quartet No. 4 in C minor, Op. 18/4

11.00-11.50: Alice Valbon (cello), Dahee Choi (piano)
Beethoven: Variations in E-Flat Major on ‘Bei Männern welche Liebe fühlen’ from Mozart’s Die Zauberflöte, WoO 46

12.00-12.50: Hoang Ho Khanh Van (violin), Hoang Ho Thu (piano)
Weiner: Sonata for Violin and Piano No. 1 in D major, Op. 9 – 3. Andante

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department

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