The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Francophone Festival | Nicolas Stavy Piano Recital

16 March 2024, 11.00-13.00

Old Academy of Music, Chamber Hall

Liszt Museum Morning Concert

Francophone Festival | Nicolas Stavy Piano Recital Presented by Liszt Academy

Liszt: Liebesträume » 3. Nocturne in A-flat major
Chopin: Nocturne in B-flat minor, Op. 9/1
Fauré: Nocturne in E-flat minor, Op. 33/1
Chopin: Ballade No. 1 in G minor, Op. 23
Fauré: Mazurke inédite
Chopin: Mazurka in C-sharp minor, Op. 63/3
Fauré: Romance sans parole, Op. 17/3
Liszt: Années de pèlerinage, Deuxième année: Italie » Sonetto 123 del Petrarca, 7. Après une lecture du Dante: Fantasia quasi Sonata

Nicolas Stavy (piano)

Presented by

Liszt Ferenc Emlékmúzeum és Kutatóközpont

Supporter:

The concert is supported by the French Institute of Budapest.
 

Tickets:

HUF 4 000 (for students and pensioners: HUF 2 000)