EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Franz Liszt Chamber Orchestra

5 May 2024, 19.30-22.00

Grand Hall

Liszt Academy series 5/5

Franz Liszt Chamber Orchestra

Schubert: String Quartet in C minor, D. 703 ('Quartettsatz')
J. S. Bach: Was Gott tut, ist wohlgetan (Signum Saxophone Quartet's transcription for saxophone quartet and chamber orchestra)
J. S. Bach: Nun komm, der Heiden Heiland (Signum Saxophone Quartet's transcription for saxophone quartet)
J. S. Bach: Sei Lob und Preis mit Ehren (Signum Saxophone Quartet's transcription for saxophone quartet and chamber orchestra)
J. S. Bach: Toccata and Fugue in D minor, BWV 565 (Signum Saxophone Quartet's transcription for saxophone quartet and chamber orchestra)

INTERMISSION

Jörg Widmann: 180 beats per minute
Philip Glass: Concerto for Saxophone Quartet and Orchestra

Signum Saxophone Quartet: Blaž Kemperle, Jacopo Taddei, Alan Lužar, Guerino Bellarosa (saxophone)
Franz Liszt Chamber Orchestra (concertmaster: Péter Tfirst, artistic director: István Várdai)

Presented by

Liszt Ferenc Chamber Orchestra Foundation

Tickets:

HUF 3 100, 4 200, 6 500, 8 800, 10 500

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