Fokozatosan emelni kell a zeneművészet megértésének, kultiválásának és gyakorlatának színvonalát. Ez a feladat főképp az új Akadémiára hárul.

Liszt Augusz Antalhoz
New Liszt Ferenc Chamber Choir

2018. április 14. 19.00-21.00

Solti terem

New Liszt Ferenc Chamber Choir A Zeneakadémia saját szervezésű programja

Kodály
Norvég leányok

Orbán György
Ave verum

Orbán György
Daemon Irrepit Callidus

Orbán György
Nunc dimittis

Gyöngyösi Levente
Ha én kedvesemről gondolkodom

Ko Matsushita
Domine, fac me servum pacis tuae

Ko Matsushita
Miserere mei

Ko Matsushita
Tantum ergo

Ko Matsushita
Tenaebrae Factae sunt

Ko Matsushita
O magnum mysterium

Ko Matsushita
De profundis clamavi

Ko Matsushita
Jubilate Deo

Ko Matsushita
Japán Népdalok, 5. kötet – Hyuga Kobiki Uta

Ko Matsushita
Három dal Yaeyama és Miyako szigetéről – Asadoya Yunta

Ko Matsushita
Japán Népdalok, 5. kötet – Mihara Yassa Bushi

-;-Új Liszt Ferenc Kamarakórus (karigazgató: Nemes László Norbert)

Vezényel: Ko Matsushita
Ko Matsushita, one of the most sought-after and productive artists mainly writing a cappella, conducts the choir (created for the classical choral repertoire and contemporary choral canon), which was founded in 2010 by conductor Péter Erdei, and operating under the guidance of László Norbert Nemes from 2014. The Japanese composer was born in 1962 and after studying at a prestigious Tokyo conservatory he went on to the Kodály Institute in Kecskemét. Ko Matsushita manages to blend the European and Japanese traditions to perfection, something evident not only in the diversity of his distinguished oeuvre but also in individual works. His motets and Japanese folk songs performed at this recital draw on music traditions of several thousand years, whether Gregorian or the culture of his native island. The programme offers further interesting points of reference with works by composers representing several generations of Hungarian choral music, starting with a Kodály masterpiece, Norwegian Girls, followed by compositions running the gamut of emotions from the pen of György Orbán, a figure who has bestowed many popular pieces for choirs on audiences and singers over past decades. The 40s age group associated with this style is represented by the setting to music of the Petőfi poem by Orbán student Levente Gyöngyösi during his years at the Liszt Academy and imbued with Hungarian folk and pop styles.

Jegyár:

HUF 1 200